Frankenstein Essay

Throughout the invigorated, Frankenstein, a libber theme subtly pervades the falsehood, and is crucial to the char displaceers of the story, the patch line and the setting of the invention. The reasons for the creation of the monster lie inwardly Frankensteins own familial relationships, especially with the grief he experienced at the loss of his fret. Frankenstein is riddled with passive egg-producing(prenominal) character references who suffer end-to-end the allegory. However, non one pistillate character throughout the novel ever exhibits behavior outside of the submissive female hire.Elizabeth, overlords love, dies at the come about of the male pecker, while waiting for Victor to rescue her. Elizabeth is unable to do anything to def break off herself without the help of a man. Equally, Justine Moritz is sentenced to finish for a murder the creature also committed. Once again, she is unable to defend herself and prove her innocence and dies for it. whatever m ay contest that Justine is a victim of circumstance however, but her meek role leaves her helpless to make her own destiny and defend herself against the treasonably accusation.bloody shame Shelleys own family life affected contents of the novel as well. Her mother, Mary Wollstonecraft, a strong activist in the feminist movement, had died shortly after her own birth, and both her and her sister did not take over kindly to their Fathers second wife, Mary Clairmont. During the nineteenth century, at heart Genevan society, where the novel was first written, men dominated the social and intellectual employment, whilst women b atomic number 18ly occupied the domestic work/lifestyle.Although the passivity of female characters is at a constant throughout the novel, perhaps coming to the conclusion that Frankenstein is simply a misogynistic text is unreasonable. Shelleys feminist patronizeground, as a lady friend of Wollstonecraft, questions the motives rat stereotyping traits of al l of the female characters in the novel. similarly, Elizabeth and Justine both died far before the end of the novel. It can be argued that by emphasising the conservative qualities of the characters, Shelley was able to also coif the negative aspects of the static female ole by exterminating female characters that fit that role.By linking the submissive women with the negative demises, Shelley was able to emphasise the negative outcomes of their behaviour, contrasting with feminist ideals that would grant in turn saved the character in severally case. It can be debated that Shelleys presentation of women after Caroline Beauforts death is the irreplaceable place of a mother or the premise of roles by other characters. In the novel, Shelley seems to portray Carolines death as societys view of women.Caroline is easily discarded, performs the role of the mother and then perishes. The women in Frankenstein could also be seen as good and caring, as Caroline sacrifices her own health knowingly in coiffure to look after Justine and Elizabeth Elizabeth was saved, but the consequences of this imprudence were fatal to her preserver. Elizabeth appears to represent a fill-in mother grade within the Frankenstein family, spurred on by dying require of Caroline for her to supply her place to her younger children.Agatha, as well, supplies this need within the DeLacey family by playing the womanly role. However, it is argued by some that a mother can never be truly replaced, and according to the maternal and scriptural symbolism throughout this novel, the reader could be inclined to believe this is Shelleys true opinion. Mary Shelleys own mother died only xi days after her birth, and it could be seen that the absence of a maternal figure is clear in Frankenstein.The absence of the maternal figure shows the apparent crack-up of a family unit and seems to inspire an oedipal complex within both Frankenstein and the monster. exchangeable in Frankenstein, the role of m en in Brave overbold solid ground has a complete higher standing to women, both physically and psychologically. Also in comparison to Frankenstein, women have a better understanding of emotions and have more social roles. The raillery picture of male superiority is uniform throughout the novel, and starts by introducing that overall dominance with the cristal of the Hatchery.All the students on the tour are male and although maybe a minor detail, this shows that women are restrict to the things they do at an early age. During the tour, the students learn about pregnancies and that women are sterilised, to that extent the men arent. This short and important fact by the author exclaims the physiologic dominance of men over women. The book shows no clear remonstrance to leaving the future of their offspring in the hands of males, even if it is unhealthy. A specific character to talk about in Brave New World is Linda.Linda is the character in the novel who opposes the traditiona l role of women in the book (and that of women in Frankenstein). Like in a lot of Huxleys pieces, this novel centres heavily around invoke. In Brave New World, sex is no longer used for procreation but for distraction and pacification. The act has been dehumanised and devoid of human passion. I look in this, Huxley tries to argue whether the future of our lifestyle is a subjugation of a natural end toward monogamy or the freedom of sleeping with many people.Linda is depicted as the person opposing to modern culture, and causes the reader to question whether Huxleys portrayal of women in Brave New World is apt. For her opposition to the modern culture, Linda is isolated, reprobate her and her son to a marginal existence because of this. Another female character worth mentioning in Brave New World is Lenina Crowne, the main female character in the novel. Foster, Bernard and John are in awe of this woman, and it is baffle to see why. She lacks intelligence, and is not particularl y creative, interesting or unique.A word that Huxley uses constantly is pneumatic. The official definition of this is full of air, which seems to pissed she is curvy and all-round sexy. It could be argued that Aldous Huxley purposely used this word as a double meaning, that shes pneumatic mentally also shes vapid (lifeless and dull). In contrast to Linda in the novel, Huxleys constant use of pneumatic implies that shes the epitome of the World State female. I feel it is clear throughout the novel, and corresponding to her previous upbringing and family, Frankenstein whole kit and caboodle as an indication to the treatment of women during that time.Her portrayal of inferior women is ironic given she is the daughter of Mary Wollstonecraft. Elizabeth could be seen as a sign of mistreatment to women as she is portrayed as the perfect woman who represents domestic bliss and harmony, while rejected by Victor Frankenstein in his pursuit of knowledge. The role of Elizabeth during the nove l could work as a feminist warning also, as she magnifies Victors selfish character my more than sister, since till death she was to be mine only. Likewise, in Brave New World, Aldous Huxley could have written the novel in order to show the wrong attitude towards women during the story. This could trigger hatred towards the limits that women are still treated at, or were treated at when the novel was written. In conclusion to the two texts, the theme of feminism is still real relevant to the plot line in this modern age, although both works have been continuously adapted into different stories, plays and movies.Both Huxley and Shelley represent their female characters as inferior to and reliant on men, as well as more emotional in both texts. I feel both the authors represent their female roles like this, and in a negative light, to get wind a reaction from the reader in order to think of how women are still treated in todays society and back then. The fact that Frankenstein is s till present in literature, theatre, and cinema attests to the perpetuity of Mary Shelleys Frankenstein and her views on feminism in society.